Karen Lynn - Reflections at Twilight II

Reflections at Twilight Diptych

£9,500

40 x 80 inches full-width (40 x 40 inches x2)

Oil on canvas

Unframed

2023

Ships from: United Kingdom

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Karen Lynn Reflections at Twilight I

Reflections at Twilight I

40 x 40 inches x2

Oil on canvas

Unframed

2023

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Karen Lynn Reflections at Twilight II

Reflections at Twilight II

40 x 40 inches x2

Oil on canvas

Unframed

2023

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Karen Lynn - Poolside Chat Diptych
Karen Lynn - Poolside Chat Diptych
Karen Lynn - Poolside Chat Diptych

Poolside Chat Diptych

£9,500

40 x 80 inches full-width (40 x 40 inches x2)

Oil on canvas

Unframed

2023

Ships from: United Kingdom

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Karen Lynn Reflections Diptych
Karen Lynn Reflections Diptych
Karen Lynn Reflections Diptych

About the Artist

Educated at Harrow College of Art and Ealing College in London in the late 1970’s, KAREN LYNN has a degree in fashion and a degree in painting and mixed media.

She has been showing throughout the UK and more recently internationally with Fine Art Consultancy. Her intricately observed paintings of people, each with their individual look, are Lynn’s chance to look away from the set and back at the audience which is what truly fascinates her. She also creates ‘Set like’ eerily still landscapes which have a somewhat surreal quality.

A fascination with ‘non-uniform uniformity’, that is to say, enticing the viewer, at first to be attracted by the repetition of objects (people, trees, buildings) in a scene but on closer inspection inviting them to notice and compare the discernible difference, moving the eye through the pictorial space”.

White House Poolside Diptych

£9,500

40 x 80 inches full-width (40 x 40 inches x2)

Oil on canvas

Unframed

2023

ENQUIRE ABOUT THIS PIECE
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About the Artist

Educated at Harrow College of Art and Ealing College in London in the late 1970’s, KAREN LYNN has a degree in fashion and a degree in painting and mixed media.

She has been showing throughout the UK and more recently internationally with Fine Art Consultancy. Her intricately observed paintings of people, each with their individual look, are Lynn’s chance to look away from the set and back at the audience which is what truly fascinates her. She also creates ‘Set like’ eerily still landscapes which have a somewhat surreal quality.

A fascination with ‘non-uniform uniformity’, that is to say, enticing the viewer, at first to be attracted by the repetition of objects (people, trees, buildings) in a scene but on closer inspection inviting them to notice and compare the discernible difference, moving the eye through the pictorial space”.