Red Chair

£3,450

H 100 cm x W 100 cm

Oil on canvas

Framed

2020

Ships from: United Kingdom

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Dreamy Dusk

£3,450

H100 cm X W100 cm

Oil on canvas

Framed

2021

Ships from: United Kingdom

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Karen Lynn April Afternoon 120 x 90 cms oil on canvas 2022 £3450

About the Artist

Educated at Harrow College of Art and Ealing College in London in the late 1970’s, KAREN LYNN has a degree in fashion and a degree in painting and mixed media.

She has been showing throughout the UK and more recently internationally with Fine Art Consultancy. Her intricately observed paintings of people, each with their individual look, are Lynn’s chance to look away from the set and back at the audience which is what truly fascinates her. She also creates ‘Set like’ eerily still landscapes which have a somewhat surreal quality.

A fascination with ‘non-uniform uniformity’, that is to say, enticing the viewer, at first to be attracted by the repetition of objects (people, trees, buildings) in a scene but on closer inspection inviting them to notice and compare the discernible difference, moving the eye through the pictorial space”.

April Afternoon

£3,450

H 120 cm x W 90 cm

Oil on canvas

Framed

2022

Ships from: United Kingdom

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About the Artist

Educated at Harrow College of Art and Ealing College in London in the late 1970’s, KAREN LYNN has a degree in fashion and a degree in painting and mixed media.

She has been showing throughout the UK and more recently internationally with Fine Art Consultancy. Her intricately observed paintings of people, each with their individual look, are Lynn’s chance to look away from the set and back at the audience which is what truly fascinates her. She also creates ‘Set like’ eerily still landscapes which have a somewhat surreal quality.

A fascination with ‘non-uniform uniformity’, that is to say, enticing the viewer, at first to be attracted by the repetition of objects (people, trees, buildings) in a scene but on closer inspection inviting them to notice and compare the discernible difference, moving the eye through the pictorial space”.